I will soon address a conference in New York about my work in the 1980s. The conference was entitled Requiem for the Norm, and celebrated the life and work of Lorenza Böttner. This Chilean/German artist was born in 1959, and although her artistic career spanned just sixteen years, Böttner created hundreds of individual works, using dance, photography, street performance, drawing, and installation to celebrate the complexity of armless embodiment and gender expression. Casting herself as a ballerina, a mother, a young man with glass arms, a Greek statue, Böttner’s work is irreverent and hedonistic, filled with the artist’s joy in her own body.
Curated by Paul B. Preciado, the exhibition was co-produced by Württembergischer Kunstverein Stuttgart, Germany, and La Virreina Centre de la Imatge Barcelona, Spain. This touring exhibition is organized by the Art Museum at the University of Toronto, Canada, in collaboration with the producers, the Württembergischer Kunstverein Stuttgart, Germany, and La Virreina Centre de la Imatge Barcelona, Spain.
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