Jan 4, 2022

 As the year turns, my focus in the studio is laser-sharp on taking stock, tidying up, and ordering supplies. It is a temporary phenomenon that evaporates in early January as effortlessly as the morning mist.


My focus has been so sharp on that task of cleaning up that I found time to throw together a short studio tour. This shows my nice, once clean, new and tidy studio is a glorious mess once more and the task of taming it forgotten momentarily.

Over Christmas,. due to the confines of Covid, I was left to my own devices and free from the seasonal conventions of food with company. I had instead, the pleasure of scouring the fridge each evening to see what might be scrambled together. 

At this task, I excel. My fridge clearance dinners are legendary for their beauty and elegance. So when I find myself sculpting cucumber and moulding it artfully around carved avocado, adding a complementary red tomato, it is a siren call . . . I know that it is time to stop cleaning, cooking and tidying the studio

It is time to paint.

But before I head out again, I see that my last blog had a subject line of "On life being very interesting . ." and it reads like a curse., I am reminded of the Chinese saying "May you live in uninteresting times". So, for 2022 and beyond, May We All Live in Uninteresting Times". A life without masks, sanitising gel or degradation of the earth, poverty, storms, fires or floods. 

Too much to hope for? 
Probably. 


But this is what I wish for the coming year . . that we live in uninteresting times . .

life as an artist

I write about life as an artist and the challenges that this choice presents. I was born without arms in 1961 and this makes my painting demanding, my life stimulating and my choices complex. I like it like this.