Oct 31, 2016

Still Making Friends with  'Plastic' Paints

Being large, and being
acrylic means I can
walk on it if I want to . . .
For this whole year, I am trying to work with acrylics.

They are slowing me up no end. This is because when they dry, and they dry very quickly, and when it's done, it can't be undone. This is such a different and unforgiving way to work with paint that it is taking some getting used to.

I am working on this large painting since last March. This is not my style. I am, as I have said before trying to paint more the feeling of the place as well as simply record the landscape. 

This painting is of a place I know very well - Six Mile Point in Wicklow. The day I started this, a cold wind was blowing from the East and the tide was out and about to turn. It was only mid-afternoon, but already almost dark and the clouds and the sea were threatening. 

The painting is about 5 feet wide and about half as high.  
It's on a board that is so heavy for me to lug around that I doubted many times the wisdom of starting it. And yet, I keep coming back to it for more than 6 months now.

Yesterday, I managed to stand on it with one foot, while my other foot was trapped under this heavy lump of MDF board. As I felt the searing pain, I was also trying to figure out how I could be crushing my own toes?

But this morning, I think it might be finished.  This is never quite a certain thing, but I am hopeful.




Here are some details from this enormous (for me) painting. When it is declared properly finished, you may see it here




life as an artist

I write about life as an artist and the challenges that this choice presents. I was born without arms in 1961 and this makes my painting demanding, my life stimulating and my choices complex. I like it like this.